Matthew Coley

You realize that a Marimba One™ instrument is artistically and supremely balanced. You simply must play it or listen to it when there is a Marimba One™ in the room

Internationally acclaimed marimba virtuoso and Heartland Marimba Festival artistic director Matthew Coley has been described as "off the charts," "best-of-the-best," and "exquisite" as a solo performer. Performing on marimba, percussion, hammered dulcimer, and glass, he travels regularly bringing the beauty of the marimba's singing wood and the diverse timbre of other percussion and dulcimer to many audiences. He has performed in over 30 US states and 10 foreign countries. A review of his second of three solo albums states, "[Souvenirs is] a disc with a high level of performance, and should be added to your iTunes wish list!"

Matthew served as the Percussion Faculty in the Iowa State University Department of Music and Theatre from 2009-2015 and also now directs the Academy, Touring Ensemble, Quartet, and Publications divisions of HMF. After six years teaching at ISU, Matthew is once again a full-time performer, and will continue his passions of building a bigger and better Heartland Marimba Festival and bringing the marimba, dulcimer, and their composers into the spotlight through unique projects for many diverse audiences.

Matthew regularly collaborates with composers looking for unique ways to push the percussion repertoire. Works that he has commissioned and/or premiered include: Lurgy for Carillon and Percussion Ensemble by Neil Thornock (premiered at Iowa State University, 2013); Rural Sketches for Marimba and Contrabass Ensemble by Igor Iachimciuc (premiered at Chicago Cultural Center, 2014); Glass House Concerto for Solo Percussion (glass, metal, wood, and stone) and Wind Ensemble by Andrew Ardizzoia (premiered at University of Puget Sound, Tacoma, WA, 2013); Images of Africa for Dulcimer and Percussion Sextet by Steven Simpson (premiered at University of Iowa, 2014); and most recently he has created and premiered with the Central Iowa Symphony a version of Haydn’s C Major Concerto for cimbalom, vibraphone, and marimba. In addition, he has commissioned and/or premiered many solos for marimba and dulcimer.

Released in 2012, Matthew’s second album Souvenirs establishes him as one of the most innovative and exciting artists of his kind. Adam Blackstock (Troy University) wrote of it in the July 2012 Percussive Notes, “If you are in search of a disc with great recording quality, a high level of performance, and an eclectic collection of tracks, this title should be added to your iTunes wish list. Souvenirs delivers 80 minutes of diverse works…” Other critically acclaimed solo albums include, Circularity (“most enjoyable…world-class performing,” 2010) and Between the Lines (“performed luminously, with intense vigor”), which is a collaborative disc of all of Neil Thornock’s percussion music, released in early 2015 on New Focus Recordings.

Matthew has performed as a soloist at five Percussive Arts Society International Conventions; at universities, institutions, and concert halls across the nation in over 30 different US states; in Canada, Croatia, Denmark, Germany, Hungary, Moldova, Slovenia, Sweden, and Switzerland; and as soloist and clinician at several state Days of Percussion. He has won several prizes from national and international competitions and holds percussion performance degrees from Northwestern University (DM and MM) and the University of North Texas (BM) (teachers included: Michael Burritt, Christopher Deane, Mark Ford, James Ross, Leigh Howard Stevens, and She-e Wu). Matthew is an endorsed artist by Marimba One, Black Swamp Percussion, ProMark Drumsticks and Evans Drumheads, Beetle Percussion, and Sabian Cymbals, and is published by Innovative Percussion, Edition Svitzer, and Heartland Marimba Festival Publications.